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AKASHVANI

AKASHVANI

Auteure: All India Radio (air), New Delhi

Nombre de pages: 56

"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 12 SEPTEMBER, 1982 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 56 VOLUME NUMBER: Vol. XLVII, No.37...

Accessions List, South Asia

Accessions List, South Asia

Auteure: Library Of Congress. Library Of Congress Office, New Delhi

Nombre de pages: 842

Records publications acquired from Afghanistan, Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan, and Sri Lanka, by the U.S. Library of Congress Offices in New Delhi, India, and Karachi, Pakistan

Indian Performing Arts

Indian Performing Arts

Auteure: Utpal Kumar Banerjee

Nombre de pages: 280

Performing arts are a delight of the artists who have excelled in visual, oral-aural and moving art forms. Music, dance and theatre have coexisted for millennia in India and have entered the 21 st century in their full glory. Now, over the past one century, cin¬ema has elevated itself to a distinctive art form. Mu¬sic existed since the Vedic times and has been inter¬preted in dance. Theatre has tackled both music and dance. And cinema has thrived on the interplay of all the performing arts, not excluding painting. This book captures the rich tapestry of music, dance, theatre and cinema-cov-ering painting as well-at the turn of the new millennium and touches upon the pulsating vibrations of their contemporary creativity. They make a composite whole,-in the perspective of a perennial India and with some resonance from the neighbourhood lands. The visions are vivid, the canvas is widely varied and the experience unforgettable. The overview builds from the existing scenario at the turn of the 20th century and extends into the near future where one dares dream of shapes of the arts to come. The view remains kaleidoscopic: so needed by the aesthete and the art-lover-the connoisseur...

Continuum Encyclopedia of Popular Music of the World Part 2 Locations (5 Vol Set)

Continuum Encyclopedia of Popular Music of the World Part 2 Locations (5 Vol Set)

Auteure: John Shepherd , David Horn , Dave Laing

Nombre de pages: 344

"EPMOW lives music. Put another way, it does for popular music what Grove has done for classical" David Brackett ‘Excellent, readable and thoroughly useful...While some previous single-volume and multivolume works have addressed the development and current state of popular music, none has done so with this work's depth of scholarship and global reach. Scholarly, clearly written, and well indexed, it is an ideal reference set.' Library Journal Continuum Encyclopedia of Popular Music of the World's five-volume work ‘Locations' is the most authoritative reference work on the history and current practice of popular music ever published. The five volumes on ‘Locations' that form Part 2 of this multi-volume work follow on from the two volumes of Part 1: Media, Industry and Society (Volume I) and Performance and Production (Volume II) . They cover over 200 nation states and are organized according to continental regions: Volume III: Caribbean and Latin America Volume IV: North America Volume V: Asia and Oceania Volume VI: Africa and the Middle East Volume VII: Europe Each discusses the history, development and current practice of popular music in cities, districts, cross-border...

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