From the contents: Beckett and the quest for meaning (Martin Esslin). - Beckett's tonic laughter (Manfred Pfister). - The magic triangle: James Joyce, Samuel Beckett, Arno Schmidt (Friedhelm Rathjen). - Beckett performed in Italy (Annamaria Cascetta). - Beckett and synaesthesia (Yoshiki Tajiri). - Beckett versus the reader (Michael Guest).
It is fitting that Professor Dirk Jan Struik be greeted with this melange of mathematical, scientific, historical, sociological and political essays. The authors are also appropriately varied: different countries, outlooks, religions, generations, and we suppose - of course we did not as- different politics too. Many more would have joined us, we know, but the good friends in this book make a fine and representative assembly of the intersection of two (mathematical!) classes: affectionately respect ful admirers of Dirk Struik, and the best thinkers of this troubled century. Struik has been among the most steadfast supporters of the Boston Colloquium for the Philosophy of Science, that discussion group which we have been holding at Boston University since 1960, but his luminous collaboration has been welcome, in Boston and Cambridge, for nearly five decades among mathematicians, physicists, philosophical and political thinkers, and especially among the students. It has not mattered whether they have been his own students or not, whether at M.LT. or elsewhere, whether scholars or dropouts, nature-lovers or book worms, anarchists or Republicans, Catholics or Unitarians, Communists or ...
SBT/A 19 features selected papers from the Borderless Beckett / Beckett sans frontières Symposium held in Tokyo at Waseda University in 2006. The essays penned by eminent and young scholars from around the world examine the many ways Beckett's art crosses borders: coupling reality and dream, life and death, as in Japanese Noh drama, or transgressing distinctions between limits and limitlessness; humans, animals, virtual bodies, and stones; French and English; words and silence; and the received frameworks of philosophy and aesthetics. The highlight of the volume is the contribution by Nobel Laureate J. M. Coetzee, the special guest of the Symposium. His article entitled "Eight Ways of Looking at Samuel Beckett" introduces a variety of novel approaches to Beckett, ranging from a comparative analysis of his work and Melville's Moby Dick to a biographical observation concerning Beckett's application for a lectureship at a South African university. Other highlights include innovative essays by the plenary speakers and panelists - Enoch Brater, Mary Bryden, Bruno Clément, Steven Connor, S. E. Gontarski, Evelyne Grossman, and Angela Moorjani - and an illuminating section on Beckett's...
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